Mardee
Mardee Millz, a young, aspiring artist from Mississauga, Ontario, with a long-term goal to become one of the greatest talent to ever come out of his city. From being introduced to rap artists at a young age, he has become an individual who has become ardent towards a wide variety of music throughout the eras of the industry. His purpose is to make change and inspire others to pursue their dreams and careers. Mardee built a love for making music and writing bars through his experiences in highschool freestyles, and this is what guided him towards his strong ability to create metaphors and punchlines within his lyrics. Once he took these lyrics to the studio, him and his people realized his potential and Mardee Millz has never stopped since. His mindset, work ethic and versatility with flows and melodies is what allows him to appeal to all audiences and attract attention from many different regions. Alongside his brother, OT Stackz, the label Rubberband Records was formed, a team of artists with a vision to influence the world. Mardee Millz has a long future ahead of him. It is only the beginning of his career, and he has already accomplished so much. His goals will only get bigger, and he knows he has what it takes to become one of the greatest artists of his generation. He wishes to inspire the people, not only with his art, but with his character. Mardee Millz is ahead of his time, and one day, he will become a worldwide icon.
Ray
Hi, I’m Ray. I’ve been immersed in the world of music production for the past three years, and it’s been a journey shaped by my deep-rooted musical background. Growing up surrounded by talented producers, church musicians, and DJs, I’ve always been inspired by the power of music to connect, express, and move people. While I’m particularly drawn to genres like R&B, trap, and Afrobeat, my production style knows no bounds. I’m passionate about experimenting with different sounds and genres, always aiming to create something fresh and impactful. For me, music is more than just an art form—it’s a powerful means of expression, a way to channel emotions and stories into something universal. Every track I produce is crafted with precision, passion, and dedication. I take my craft seriously and strive to bring out the best in every project I work on, whether it’s for an artist, a film, or a personal project. Let’s create something unforgettable together.
Clvvdy
Clvvdy (pronounced “Cloudy”) is an esteemed audio engineer hailing from Toronto, Canada. A graduate of Metalworks Institute’s Audio Engineering and Production program in 2018, Clvvdy has made a significant mark in the music scene by collaborating with a wide array of talent, including Kwazii, Realest K, MKLA, Lancey Foux, Byron Messia, ASAP Twelvy, and many more. Renowned for his versatility, he effortlessly navigates every genre of music as an accomplished engineer. His latest project, “Dagga Riddim Cypher,” has achieved viral success across all social media platforms, garnering him newfound recognition both in Toronto and internationally.
Zeke
“Making music is like painting a picture,” says the classically trained producer Cse7en, previously known as Zeke Lee. “And I plan to paint the walls with the music I make.” Cse7en’s roots are in Jamaica, where he was born before moving to Florida and then to Toronto. The collision of cultures shines through in his music as well as those he cites as influences. Cse7en grew up around choirs, but by way of his parents, was also introduced to classics like Luther Vandross, Miles Davis, Prince, Quincy Jones and Marvin Gaye. In the 90s and 2000s, Cse7en got ahold of the music selections and tuned into revered hip-hop producers like Timbaland, Just Blaze and Kanye West. Taking pieces from his family’s soul, gospel and reggae roots, his childhood exposure to classic R&B and his teenage affinity for hip hop, Cse7en has now carved out a unique sound based not in genre, but in authenticity. Cse7en is known by many professionals to be an early pioneer of the trap sound in the Toronto music scene, where it was rare and uncommon at the time in the Canadian music industry.
